wp9618da8e_0f.jpg
wpfe7b91d7.png
wpa15b4feb.png
wp71f3d935.png
wp85db413e.png
wp143d6b5f_0f.jpg
wp005a6c16_0f.jpg
wp052bc3d6_0f.jpg
wpabf2e438.png
wp8d058938.png
wpbe1109f2.png
wpabdb2f3d.png
wp024e5697_0f.jpg
wpd4e9f20e_0f.jpg
wp0a1c45ee.png
wp0b7fd9df.png
wp681726f1_0f.jpg
wpb5cb4fea.png
wp2e5af742.png
wp2e5af742.png
wp4eacdf09.png
wp0236fd4b.png
wpa99efbcd.png
wpbe0cad21_0f.jpg
wpb7b09c37_0f.jpg

wp381282b3_0f.jpg Born in Zimbabwe, multiple award-winning South African acoustic guitarist Tony Cox has become a veritable icon of the instrument in his own country and has been described as one of South Africa’s finest musical exports. For a number of years now he has undertaken regular forays into Europe and North America and has seen a loyal fan-base begin to develop in the UK, Germany and Canada.


When he was just nine years old Tony began, incredibly, learning and playing the Hawaiian guitar in what was then Rhodesia. This was brought about by one Archie Pereira arriving from Lisbon and for reasons unknown decided to settle in the backwater of Kwe-Kwe, a town 20 miles away from Tony’s mining-town birthplace, Redcliff.

In his teens and after Archie disappeared back to Lisbon, Tony changed to a conventional guitar style and later, in order to ‘get the technique’, he studied the classical guitar for an intensive 2-year period. In 1969 the family left Rhodesia to settle in Cape Town South Africa and it is here the young guitarist really started to absorb and assimilate the multi-textured rhythms and facets of the rich, indigenous music of his upbringing and surroundings.

He began to compose his own music early and immediately charged it with the African imagery that is very much a part of this unique guitar players’ world perspective. Using all the finger-style techniques he had absorbed over the years from such greats as Leo Kottke and Bert Jansch and closer to home, Sipho Mchunu and Noise Khanyile both great exponents of Zulu Maskandi guitar style, Tony honed and developed a style all his own. With the rigorous precision of classical technique juxtaposing the loose, laid-backed delivery of a master at work, Tony’s music tumbles out at you, hitting your tapping feet with its solid groove and taking your heart and mind on harmonic journeys that stretch away to African horizons.

Tony Cox on-stage is as warm and engaging with his audience as he is off-stage. Telling stories and anecdotes and using much wry humour, he draws a person in and you find yourself listening really closely to a tune you may never have heard before and then being punched in the solar-plexus at the power and delivery of that tune.

Besides being a solo performer Tony has collaborated and recorded with many other musicians to produce three award-winning albums and a string of nominations.
‘China’ (UK/SA slang for friend) is just such an album. He recorded it in 2002 featuring many of the cream of SA musicians including long-time partner and friend, fellow guitarist Steve Newman. China is a fine example of  Tony’s ability to work beyond the confines of solo guitar playing. The album won the ‘best instrumental’ category at the 2003 SAMA awards. He won the same award another two times for his albums, Matabele Ants in 2001, and Blue Anthem in 2008.
 

 

Home